Summary
EVER since the tenor Enrico Caruso slipped a hot sausage into the hand of Dame Nellie Melba as the dying Mimi in La Boheme, the rules of engagement, even in serious theatre, have never been the same.
So what hope is there for farce-the tailor-made chaos of a thousand misunderstandings, all enacted at precisely the right moment.See the full content of this document
Extract
Review: Noises Off Playhouse
Writer Michael Frayn rejoices in this gladiatorial combat by constructing the ultimate triple whammy.
P...See the full content of this document
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